Ghost Trip series  t Ghost Trip Series  y 2015 ongoing  m video and works on paper  d variable  The Ghost Trip series started with works on hotel paper during an artist’s residency in China and most were first exhibited in Henderson Centre, Beijing. The ground of this series slowly shifted from hotel paper to found or reproduced graphic drawings that were eventually ‘erased’ with subsequent layers of non-newtonian ink and tar,  emphasising the gravitational essence in dualities, opposing delicate marks (embossed using lead spheres from bullet cartridges) to imbued stains of pigment and underlay graphic information. The starting point of both planes is political and deals mainly with transitory paths, migration and displacement. The artist tends to think of them as Loss maps.
       
     
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 Ghost Trip series  t Ghost Trip Series  y 2015 ongoing  m video and works on paper  d variable  The Ghost Trip series started with works on hotel paper during an artist’s residency in China and most were first exhibited in Henderson Centre, Beijing. The ground of this series slowly shifted from hotel paper to found or reproduced graphic drawings that were eventually ‘erased’ with subsequent layers of non-newtonian ink and tar,  emphasising the gravitational essence in dualities, opposing delicate marks (embossed using lead spheres from bullet cartridges) to imbued stains of pigment and underlay graphic information. The starting point of both planes is political and deals mainly with transitory paths, migration and displacement. The artist tends to think of them as Loss maps.
       
     

Ghost Trip series

t Ghost Trip Series

y 2015 ongoing

m video and works on paper

d variable

The Ghost Trip series started with works on hotel paper during an artist’s residency in China and most were first exhibited in Henderson Centre, Beijing. The ground of this series slowly shifted from hotel paper to found or reproduced graphic drawings that were eventually ‘erased’ with subsequent layers of non-newtonian ink and tar,  emphasising the gravitational essence in dualities, opposing delicate marks (embossed using lead spheres from bullet cartridges) to imbued stains of pigment and underlay graphic information. The starting point of both planes is political and deals mainly with transitory paths, migration and displacement. The artist tends to think of them as Loss maps.

fullsizeoutput_11.jpeg
       
     
fullsizeoutput_13.jpeg
       
     
8Q9A4478.jpg
       
     
8Q9A4489.jpg
       
     
8Q9A4498.jpg
       
     
8Q9A4476.jpg
       
     
8Q9A4479.jpg
       
     
fullsizeoutput_12.jpeg
       
     
8Q9A4481.jpg
       
     
8Q9A4487.jpg
       
     
8Q9A4500.jpg
       
     
8Q9A4508.jpg
       
     
8Q9A4507.jpg
       
     
IMG_6510.JPG